Authorlouisa

3BT – telltail, noodles are the new chucky eggs, lights/hoovering

1. We didn’t see Kaufman last night so the first thing I do on Sunday is look for him. A telltale tail behind his curtain gives away his location.

2. Buttered noodles with pepper and chilli flakes have become my new dicky-tummy food.

3. The headlights and brake lights dissipate and sparkle on the bumpy glass.

3b. The two dogs wander around the pub, hoovering under all tables, oblivious to the performances taking place.

3BT – lunch/buildings, strange shop/lakeside, cheesy chilli crumpets

1. We find a great little place for lunch.

1b. Looking up at the crossing, we see the variation in the buildings along the street.

2. We go to the strange shop at the back of the arcade – I know it stretches back further than one would expect but I’m surprised by how far it extends upstairs too. There is all sorts in there.

2b. We could sit on the corner but instead, we walk a bit further to sit near the lake. A quirk of perspective makes it look like little tiny cars are driving at the people walking down the pier. Later, as we walk around the water on the way back to the car, I get a dog hug – all the others we’ve seen have been on leads but this one is allowed to come over and when I bend down to talk to her, she licks my face.

3. Crumpets with cheese and chilli sauce.

3BT – gone/elaborate pubs/columns, museum/cafe, sunset/regeneration/Mexican, gig/Dock Road

1. We make slightly better time than we thought so we have time to meander into the city via my old haunts instead. It’s funny how familiar and yet strange it at the same time: it feels like a lifetime ago now. (And I suppose it is: I was 18-20 when I lived there, and that was nearly 18 years ago now.) As we drive up my old street, I’m thrown for a second but then the next building confirms it. We drive back down and I laugh heartily when I realise that my final year home has been demolished.

1b. John points out something that largely escaped my attention while I was living there – and my mum’s attention to this day – how elaborately decorated the pubs are in the city. Through over-exposure, we’re quite numb to Victorian architecture but these buildings from slightly earlier, that somehow escaped bombing and redevelopment, are breath-taking.

1c. Out of the car, the size of St George’s Hall also blows me away for the first time. How many times I have been past there? How many times inside? I even spent a full day carrying boxes of “Welcome to Liverpool!” pamphlets up the steps – and yet I never noticed the vast size of the columns, the bulk of them so high above us.

2. Inside the museum, we look at banana-coloured beetles eating fruit and the shadows of ants carrying leaves along a rope. Then we touch ancient rocks and massive shells, and stagger under the weight of an elephant’s tooth before John tries the amazing microscope and we look at much, much smaller things instead. We also enjoy all the specimens in the drawers – not quite knowing what will be inside.

2b. The warren of a cafe.

3. The sunset behind the docks and the man who stops to explain the strange window in the ground.

3b. The restaurant is further up the road than I thought it would be – right up, near my old university building – but it gives me the chance to see the extent of the regeneration up there: I tell John of how it was near abandoned, how we’d walk further out of our way rather than going down there – and now look at it, with its stately painted homes and trendy restaurants.

3c. The best Mexican food we’ve had in a long, long time.

4. We don’t stay at the gig for that long but I’m glad we make the effort to go for even a short time: I’m glad to see another pocket of regeneration and also a drooling dog that walks its tail when I say hello.

4b. We drive up to Southport along the old Dock Road. Again, we marvel at the scale of things – the ships, the silos and the old warehouses.

3BT – changes, winding wool, pizzas

1. More editing. I look back at the end of each section and am surprised by the amount of changes I’ve made.

2. I wind the wool into a ball: the colours are delightful.

3. The pizzas are a little too thin in the middle but the dough is delicious.

3BT – squash, sharp pencil, yep/duh-doy

1. The orange flesh of the squash that I break open for the chickens.

2. The sharp pencil strikes through the crisp text. I enjoy killing my darlings.

3. I sniff the pot to make sure it’s the ground black pepper. I sneeze a confirmation.

3b. Handing me a yoghurt and getting sorbet for himself, John gets halfway through wondering what frozen yoghurt tastes like – as if he’s inventing a new thing – before he realises what he’s saying. We both laugh heartily.

Review: ‘The Worrier’s Guide To Life’ (and the ‘Doodling for…’ books) by Gemma Correll

A few weeks ago, this image – a play on the ‘Warrior’ yoga pose – popped up on my Twitter timeline and it made me first nod and laugh, then almost instantly follow the illustrator Gemma Correll and buy her books.

The Worrier Pose picture is a perfect example of the majority of the content of “The Worrier’s Guide to Life” – cute, funny illustrations about what it’s like to be a person prone to worrying about EVERYTHING. (The fact I’d seen it before I bought the book is also a perfect example of my main problem with the book – looking at Gemma’s Twitter feed had “spoiled” a good third of the illustrations for me. Still, her online work amuses me so I’m happy to support her.)

Like Soppy which I reviewed a few weeks ago, it’s a collection of vaguely themed illustrations rather than a narrative – I am being very generous to myself including it in my graphic novel count really ;) Correll makes lovely use of colour (or perhaps I should rephrase that to “use of lovely colours”) and her style has the perfect “voice” for the ‘worrier’ – cute but they feel alive and based in reality, not overproduced to the point of sterility — and that’s what inspired me to buy her “Doodling for…” books as well: “Doodling for Cat People” & “Doodling for Dog People” (for I am both).

The books follow the same structure, built around a core of step-by-step doodling cats/dogs in various poses and states of fluffiness. I love step-by-step drawing tutorials – I think they’re a perfect confidence builder for hesitant doodlers like myself – and Correll’s designs are simple yet full of potential for customisation. Aside from the full body poses, there are sections focusing on facial expressions and accessories (cats in hats!) for adding further character — I was surprised how quickly I could whip up cartoons of our three goofballs with enough differences to distinguish them and their character quirks.

(I have, for obvious sad reasons, focused mainly on the cat book so far. I did though flick through the Dog book and was a little disappointed to find there wasn’t a step-by-step for a spaniel – when they are OBJECTIVELY the best type of dog. She does include examples of lots of different breeds at the start of the book, and a cocker is in there.)

Since they’re designed to be a “drawn in here directly” workbook, there is a lot of empty space in the books and there is some filler too (including some pages directly duplicated between the two books). They’re pretty expensive really for the amount of content.

I’d say all these books are designed to be gifts – not exactly great value for money but fun, intelligently produced (nice designs and the spines fold flat as they should do for the drawing ones) and in the case of the latter two, pleasantly interactive & inspiring. I’d recommend them as gifts but think the “Step-by-Step Drawing Animals” (which I bought for our 9 year old niece) is better value for money if you’re buying it yourself to work on your doodles.